5/6/2023 0 Comments Sort ramme med passepartout![]() The association is still faced with a lot of opinions and beliefs as to how and what its practices should be, but what inspires this engagement, and what does ownership mean to a member association? Hanne Mugaas writes about the exhibition’s contemporary art section, which she has curated together with Maya Økland, and the different artists’ take on history writing and archival work. What sort of understanding can be achieved of an institution by looking at it through the lense of its physical habitat? Jørund Aase Falkenberg explores the question of ownership. Victoria Bugge Øye follows the art association’s development through an often debated feature: its building. ![]() Holly Pester writes, in anecdotal phrases, about the fragmentary history of the art association. This way the approach is one where the art association is viewed in a new light, both from within and from the outside. We have invited contributors with different backgrounds, with and without prior knowledge of the art association. The publication works as a conceptual gateway to the history of the art association. Keywords participation | outreach | access, agency | ownership | paradox | radical democracy | anticipation | post-criticality The intervention addresses three cases, illustrating three different cultural settings: a) non-profit, “free” art spaces b) the (art) museum, c) the so-called culture regions. Grounded in ideas of a “radical democracy” (Mouffe, 2014) and the “radical institution” (Bishop, 2013), respectively, we focus on key terms in the participatory agenda such as “access”, “agency” and “ownership”, and pursue a conceptual intervention in terms of a “post-critical”, “anticipatory” analysis and practice (Rogoff & Schneider, 2008). We argue that that this complex has to be challenged in order for the participatory agenda to take a more – “radical” – democratic direction. 19–35 ISSN Online: 2000-8325 PEER REVIEWED ARTICLE THE PARTICIPATORY AGENDA | HJØRDIS BRANDRUP KORTBEK, CHARLOTTE PRÆSTEGAARD SCHWARTZ, ANNE SCOTT SØRENSEN AND METTE THOBO-CARLSEN 20 This article is downloaded from of the “culture complex” as outlined by Tony Bennett (2013), which is to be understood as an “assemblage” of cultural apparatuses under the national policies’ reframing of “Bildung” as “participation”. The thesis is that the agenda is a configuration © Centrum för kulturpolitisk forskning Nordisk Kulturpolitisk Tidsskrift, vol. The article investigates the discursive link that these policies establish between participation, democracy and transformation, and argue that a range of paradoxes emerge once the agenda is translated at local cultural policy levels or by different institutions and adopted into daily practice. The participatory agenda A post-critical, anticipatory intervention ABSTRACT In this article we address the participatory agenda defined as outreach in Danish national cultural policies, tracing specificities to other Nordic and EU cultural policies as well (Bell & Oakley 2015). Secondly, there is no guarantee that posts and accounts will be saved for the future. Firstly, the flows are constantly updated and thereby changing. ![]() For now it is temporary and ephemeral, in two respects. Our last case is activists’ blogs at the web platform Tumblr, which we here view as an archive, waiting to be explored by cultural historians. Here we bring the attention to the ways in which curatorial themes such as love and family invite straight people to identify with unstraight experiences. Our second case is the Museum of World Culture’s exhibition Playground. The first case we approach is the website Unstraight Museum where we bring to the surface the ways in which its digital collection creates a collective memory, makes LHBTQI experiences visible and queer the official heritage. We use a broad definition of “archiving” to also include digital collections, exhibitions and social media so as to investigate different approaches. This article is an attempt to explore three cases of archiving LHBTQI memories and experiences. Aspects of selection, consideration and adaptation Abstract: Today museums strive to include LHBTQI perspectives in exhibitions and audience development, as well as in the collections. Title: LHBTQI perspectives and cultural heritage.
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